production team.
To meet those demands, Dollerson relies heavily on NUGEN Audio’s suite of intuitive, technically robust plug-ins. He specifically utilizes the Halo Upmix plug-in to handle both stereo and multichannel mixes required for festival submissions and theatrical screenings.
Iam not a technical person, or a mix engineer by any stretch, but when you work with independent filmmakers, sometimes they don’t have the budget to do both stereo and surround mixes, Dollerson said. So, Ineed tools that let me deliver something festival-worthy without having to learn every detail of post-production engineering.
Dollerson first adopted the NUGEN Audio Halo Upmix plug-in nearly a decade ago. He worked in multichannel audio at university and mostly operated in stereo since then. At one point, there were a couple of filmmakers who wanted both, and that was when he came across Halo Upmix.
It just seemed like a really good solution for non-technical, quality upmixing to surround, Dollerson said.
The tools allow Dollerson to deliver festival-worthy audio without requiring deep post-production engineering knowledge. By using the suite, he ensures independent filmmakers can access high-quality sound for screenings despite budget constraints. The workflow supports his role as a partner for directors needing reliable audio solutions for independent projects.
For more information, visit vik8l4rab.cc.rs6.net.