• Latest
  • Trending
I Was Tricked Into Playing the Bassoon

I Was Tricked Into Playing the Bassoon

April 9, 2026
Five Competencies You Need (And Probably Weren’t Taught)

Five Competencies You Need (And Probably Weren’t Taught)

April 8, 2026
Five Competencies You Need (And Probably Weren’t Taught)

Five Competencies You Need (And Probably Weren’t Taught)

April 8, 2026
ADVERTISEMENT
2026 Virtual String Teachers Summit

2026 Virtual String Teachers Summit

April 7, 2026
Directors Need Summer Camp Too

Directors Need Summer Camp Too

April 6, 2026
Recharge, Reconnect, Reignite: Inside the Conn Selmer Institute (CSI) National Event

Recharge, Reconnect, Reignite: Inside the Conn Selmer Institute (CSI) National Event

April 3, 2026
The Start of an Era

The Start of an Era

April 6, 2026
New Products

New Products

April 1, 2026
Minute Clinic

Minute Clinic

April 1, 2026
Music, Art, and Awe

Music, Art, and Awe

March 26, 2026
Principles for Building Stronger Classroom Systems

Principles for Building Stronger Classroom Systems

March 24, 2026
How a Long-Term Vision Can Transform Your Ensemble

How a Long-Term Vision Can Transform Your Ensemble

March 23, 2026
Performance Practices for the Concert March

Performance Practices for the Concert March

March 20, 2026
Thursday, April 9, 2026
  • Contact
SBO+
  • Advertise
  • Subscribe Free!
    • Manage Subscription
  • Departments
    • Choral
    • String Section
      • String Section
    • Concert Band
    • Modern Band
      • Mariachi
    • Orchestra
    • Instruments
      • Woodwinds
        • Wind Talkers
      • Percussion
        • GoodVibes
      • Repertoire
      • Playing Tips
    • Marching Band
    • Resources
      • Fundraising
    • Jazz
    • Brass
    • General Music
    • Advocacy
      • NAfME Neighborhood
      • MAC Corner
      • MusicEd: Mentor Minute
    • Commentary
      • Bubbett’s Bookshelf
      • Leadership Tips
      • Perspective
      • InService
        • America’s Bandmasters
        • America’s Musicians
      • Tone Deaf Comics
    • Features
    • News
      • Headlines
  • Current Issue
    • Past Issues
  • Support
  • Awards/Entries
    • 50 Music Teachers who Make a Difference
    • Teachers’ Choice Awards Nominations
No Result
View All Result
  • Advertise
  • Subscribe Free!
    • Manage Subscription
  • Departments
    • Choral
    • String Section
      • String Section
    • Concert Band
    • Modern Band
      • Mariachi
    • Orchestra
    • Instruments
      • Woodwinds
        • Wind Talkers
      • Percussion
        • GoodVibes
      • Repertoire
      • Playing Tips
    • Marching Band
    • Resources
      • Fundraising
    • Jazz
    • Brass
    • General Music
    • Advocacy
      • NAfME Neighborhood
      • MAC Corner
      • MusicEd: Mentor Minute
    • Commentary
      • Bubbett’s Bookshelf
      • Leadership Tips
      • Perspective
      • InService
        • America’s Bandmasters
        • America’s Musicians
      • Tone Deaf Comics
    • Features
    • News
      • Headlines
  • Current Issue
    • Past Issues
  • Support
  • Awards/Entries
    • 50 Music Teachers who Make a Difference
    • Teachers’ Choice Awards Nominations
No Result
View All Result
SBO+
No Result
View All Result

I Was Tricked Into Playing the Bassoon

April 9, 2026
in America's Musicians
Share on Facebook
Godlyke Inc.
ADVERTISEMENT
By SBO+ Staff

The truth is, I was tricked into playing the bassoon.

Unlike a lot of classical musicians, I did not grow up in a musical family. In fact, the only reason I even joined band in sixth grade was because my friend was doing it. As a tweenager peer-pressured into an extracurricular I hadn’t the slightest idea about, I naturally selected the very coolest, edgiest instrument of the band – the drums, obviously – with visions of a rock n’ roll lifestyle à la the hometown-hero grunge bands I grew up listening to in Portland, Oregon.

When the perhaps-not-so-exciting reality of playing snare drum in a sixth-grade band hit me, I quickly pivoted to the second coolest and edgiest instrument of the band – the one no one else played. In my case, the bassoon.

Our band room had a poster of the woodwind instruments – flute, oboe, clarinet, saxophone, and bassoon. The first four I was familiar with from my fledgling musical journey. The “trick” came into play in the fact that all five were depicted on the poster as exactly equal in size, which as any experienced band musician knows, does not bear out in real life. Two days later, I found myself back in the band room being handed a monstrous-looking instrument taller than I was, staring up at the poster in confused betrayal. Trick accomplished.

Lucky for me, I loved playing the bassoon from the very first note I honked out that fateful day. Also lucky for me, I was weirdly good at it. And luckiest of all, I had a band director who noticed and cared enough to introduce me to the theretofore foreign world of classical music.

I’ve come a long way since then. Before I joined the West Point Band (one of the Army’s four Special Bands,” located at the U.S. Military Academy in West Point, New York), I completed undergrad at Rice University with renowned bassoon pedagogue Benjamin Kamins, and an Artist Diploma program with one year at the Colburn School Conservatory and one at Oberlin Conservatory. In retrospect, my conservatory training was an unexpected asset in preparing for an Army career, and a bit of a “boot camp” in its own right.

At Rice, I was expected to be hard-working, maintain a meticulous practice regimen, and settle for no less than mastery in my playing, three things I had previously been perfectly content not doing. Through hours in the practice room, I learned to notice, confront, and “work like hell” on my weaknesses, gaining the discipline, courage, and self-leadership that directly translated into my experience going through Army basic training (a requirement for anyone joining the Army Bands program).

However, those specific schools had no band programs themselves, so a military career was honestly not something I ever thought about. I had never even heard of a professional concert band until my sixth year of conservatory education, so I was perhaps not an obvious choice for the Army.

When I won the job, more than one friend assumed the “boot camp” I mentioned training for was a trendy exercise class in LA and not real U.S. Army Basic Training. Plus, I had my own private concerns, given that the most ferocious weapon I had yet wielded was a reed knife. But as I trudged through the hours of sweat and tears required to become an American Soldier, I found myself relying on my musical training for perseverance.

In my time as principal bassoon of the West Point Band, I’ve had the opportunity to perform in prestigious locales like Carnegie Hall and Lincoln Center, for presidents, prime ministers, and literal royalty, on national TV, on the fields of legendary sports franchises –  including at the Yankees season opener, which sports fans have led me to believe is a very big deal! –  and on the grounds where U.S. history was forged. (And one time with a hologram of Kelly Clarkson, not to brag). I’ve also gained a new perspective on American music history, experiencing it through the unique lens of military music.

It goes without saying that music was a huge part of my college experience, but before I joined the West Point Band, I didn’t realize that would also be true for the cadets (West Point students) here at the U.S. Military Academy.

The West Point Band’s mission is to support these students and our community by providing music for military ceremonies, public performances, and student events, and the school’s musical traditions date back to the time of the American Revolution. Each steppingstone on a cadet’s journey toward becoming an Army officer is accompanied by the same music that has been performed by the West Point Band since the school’s founding.

This year, as our country turns 250, it’s a particular honor to be a part of the lineage of Army musicians who have been serving at West Point since our nation’s founding, and to be performing alongside my friends, the fantastic musicians in the West Point Band. It’s a dream come true to make a living playing the bassoon, which wouldn’t have been possible without my music teachers – from sixth grade to nineteenth grade. To them, and to all the people who take the time to notice and care for their fellow humans: thank you for your service!

Band.WestPoint.edu

You may also like:

SBO Presents The 19th Annual 50 Directors Who Make A Difference The 22nd Annual 50 Directors Who Make a Difference Report: 50 Directors 2012 ’50 Directors Who Make a Difference’ Report The 23rd 50 Directors Who Make a Difference Report
AFAG Messen und Ausstellungen GmbH
ADVERTISEMENT
Sweetwater
ADVERTISEMENT

POPULAR STORY

  • New Products December 2025

    New Products December 2025

    1786 shares
    Share 714 Tweet 447
  • Holiday Gift Guide for Music Businesses: Tools to Boost Engagement and Growth

    1712 shares
    Share 685 Tweet 428
  • 50 Music Teachers Who Make a Difference

    1411 shares
    Share 564 Tweet 353
  • When Selecting New Choral Music, Choose Success

    1299 shares
    Share 520 Tweet 325
  • 2025 Teachers’ Choice Award Winners

    1185 shares
    Share 474 Tweet 296
Bob Rogers Travel
ADVERTISEMENT

SchoolMusic.Travel

No articles found.
  • April 2026

    Articles | Digital Issue
  • March 2026

    Articles | Digital Issue
  • February 2026

    Articles | Digital Issue
  • January 2026

    Articles | Digital Issue
  • December 2025

    Articles | Digital Issue
© 2005 - 2026 artistpro, LLC
7012 City Center Way, Suite 207
Fairview, Tennessee 37062
(800) 682-8114

No Result
View All Result
  • Advertise
  • Subscribe Free!
    • Manage Subscription
  • Departments
    • Choral
    • String Section
      • String Section
    • Concert Band
    • Modern Band
      • Mariachi
    • Orchestra
    • Instruments
      • Woodwinds
      • Percussion
      • Repertoire
      • Playing Tips
    • Marching Band
    • Resources
      • Fundraising
    • Jazz
    • Brass
    • General Music
    • Advocacy
      • NAfME Neighborhood
      • MAC Corner
      • MusicEd: Mentor Minute
    • Commentary
      • Bubbett’s Bookshelf
      • Leadership Tips
      • Perspective
      • InService
      • Tone Deaf Comics
    • Features
    • News
      • Headlines
  • Current Issue
    • Past Issues
  • Support
  • Awards/Entries
    • 50 Music Teachers who Make a Difference
    • Teachers’ Choice Awards Nominations

© 2005 - 2024 artistpro, LLC 7012 City Center Way, Suite 207 Fairview, Tennessee 37062 (800) 682-8114

Wenger Transcend Ad
Wenger Transcend Ad