• Latest
  • Trending

Ready or Not – Teacher Evaluations Are Coming

October 2, 2012
Get Them and Keep Them!

Get Them and Keep Them!

June 20, 2025
Behind the Curtain Tips on Evaluating Music for Your Jazz Ensemble

Behind the Curtain Tips on Evaluating Music for Your Jazz Ensemble

June 20, 2025
Why Flex?

Why Flex?

June 20, 2025
Understanding the Impact of Tariffs on Your Program: Challenges and Solutions

Understanding the Impact of Tariffs on Your Program: Challenges and Solutions

June 20, 2025
Spinning My Wheels! Lamentations, Reflections, and Reset Plans of a Bewildered Choir Director

Spinning My Wheels! Lamentations, Reflections, and Reset Plans of a Bewildered Choir Director

June 20, 2025
Tips for Low Brass Players Who Want to Major in Music…or Just Want to Get Better!

Tips for Low Brass Players Who Want to Major in Music…or Just Want to Get Better!

June 20, 2025
About Myra Rhoden

About Myra Rhoden

June 20, 2025
It’s Time to Speak Up

It’s Time to Speak Up

June 20, 2025
Celebrating 25 Years of Gator Cases: A Legacy of Innovation, Education, and Family

Celebrating 25 Years of Gator Cases: A Legacy of Innovation, Education, and Family

June 20, 2025
Proel North America and Grassi Wind Instruments Celebrate 80 Years of Musical Excellence with Santa Monica Symphony Sponsorship

Proel North America and Grassi Wind Instruments Celebrate 80 Years of Musical Excellence with Santa Monica Symphony Sponsorship

June 20, 2025
The Conductor’s Place in the Musical Universe

The Conductor’s Place in the Musical Universe

June 20, 2025
The Boy Shortage

The Boy Shortage

June 20, 2025
Monday, June 23, 2025
  • Contact
SBO+
  • Subscribe to SBO+
    • Subscribe
    • Login/Manage Subscription
  • Current Issue
    • Past Issues
  • Advertise
  • Teachers’ Choice Awards
  • Columns
    • New Products
    • Travel/Festivals
      • Fundraising
    • UpClose
      • Features
      • Commentary
      • Advocacy
      • MAC Corner
      • Inclusion
      • Milestones
      • MusicEd: Mentor Minute
      • Perspective
      • InService
    • Technology
      • Audio Tech
    • Performance
      • Wind Talkers
      • Percussion
      • GoodVibes
      • Repertoire
      • Playing Tips
      • Modern Band
    • Newsletter Archive
    • Tone Deaf Comics
  • Teacher Nomination
  • Support
    • Email PR!
  • Choral
    • Jazz
    • Modern Band
No Result
View All Result
  • Subscribe to SBO+
    • Subscribe
    • Login/Manage Subscription
  • Current Issue
    • Past Issues
  • Advertise
  • Teachers’ Choice Awards
  • Columns
    • New Products
    • Travel/Festivals
      • Fundraising
    • UpClose
      • Features
      • Commentary
      • Advocacy
      • MAC Corner
      • Inclusion
      • Milestones
      • MusicEd: Mentor Minute
      • Perspective
      • InService
    • Technology
      • Audio Tech
    • Performance
      • Wind Talkers
      • Percussion
      • GoodVibes
      • Repertoire
      • Playing Tips
      • Modern Band
    • Newsletter Archive
    • Tone Deaf Comics
  • Teacher Nomination
  • Support
    • Email PR!
  • Choral
    • Jazz
    • Modern Band
No Result
View All Result
SBO+
No Result
View All Result

Ready or Not – Teacher Evaluations Are Coming

bySBO Staff
October 2, 2012
in From the Trenches, September 2012
0

Involving your school percussionists in band and orchestra can sometimes be a difficult task. Certainly there is a great deal of literature that utilizes a lot of percussion, and that music should be performed both for the sake of artistic integrity and for your percussionists to be involved with playing some meaty parts. But at times, the percussion section is often neglected due to the style of music being performed (i.e., a Bach chorale, symphonic music that does not involve a lot of percussion, etc.).

There are ways around this dilemma and it is possible to include your percussion section in these pieces. But so many times, and at all levels, the percussion section is left out, so to speak. While conductors are working on clarinet intonation, a difficult technical passage for the saxophones, balance in the low brass, etc., the percussionists are idle and often bored.

Those pieces that do involve a lot of percussion keep them happy and audiences enjoy watching your percussionists run around playing everything under the sun. But let’s face it: there is a lot of time in rehearsals where percussionists just sit around doing nothing.

399
SHARES
2.3k
VIEWS
Share on Facebook
ADVERTISEMENT

By Bob Morrison

We have all heard the stories about how teachers need to be held accountable for student growth. I suspect most people would not disagree with this statement. Where there is plenty of debate and disagreement, though, is “how?”

For subjects like language arts and math, where there are statewide assessments to measure student performance, the task of tying student growth to teacher evaluation may be easier. Notice I said, “may.” Just because something is possible does not mean it is the proper thing to do and there is plenty of debate about tying student test scores to teacher evaluations.

But here is the reality: tying teacher performance (for all teachers) to student achievement and student growth is a freight train rolling down the railroad track, and it is heading down hill. The national movement to tie teachers assessment to student outcomes will be the “new normal” for teachers across this country… including you, music and arts educators.

This leads to the logical question: “How will this be accomplished?”

And the answer the profession has right now is: “We do not know!” And this is the scariest statement of all.

Here is why: School districts across the nation are moving to tie teacher assessments to student outcomes. Many states have mandated these programs be in place as early as the 2013/2014 school year. This creates a challenge for all subjects that are in the “non-tested” category (think all arts, world languages, social studies, some sciences, physical education, and more). In essence, nearly 80 percent of teachers in the United States teach “non-tested” subjects. This does not mean it will keep the administrators from implementing something – anything – just so they may say they are doing as they are told.

So here is the rub: our profession has yet to come up with a solution to this issue and school administrators are actively seeking answers.

ADVERTISEMENT
ADVERTISEMENT

The hard reality we face is that either the music education field comes up with a solution or series of solutions or we will have one imposed upon us by people who have no idea about what we do in the classroom or what we are really trying to accomplish. And, in the second of those two options, I guarantee we will not like the solution. This is the scariest of thoughts.

Already in some states we have heard music teachers will be measured by student outcomes in… math! Yep, you read correctly. All that training to allow you to become the most effective teacher possible (using music as your educational tool of choice) will be reduced down to a measure of something you have no influence or control over.

This is what is at stake. So, here is what needs to happen:

  • Get over it – this issue is not going away. Ignoring it will only put our profession at greater risk.
  • Get a plan. There are plenty of districts that are trying out ideas on ways to meet the administrators’ objectives. In June, NAfME hosted a National Symposium on Music Assessment and Teacher Evaluation to tackle this very issue. Visit nafme.org or musicstandards.org.
  • Be sure to reach out to other music educators and your state music educators association to connect with those who may be tackling the same issues.
  • Use social media to find and connect with your peers who are interested in this issue. The hash tags #musiced #musedchat are great places to start.

The reality of teacher evaluation systems in music is coming fast. It will be up to all of us in the music education field to ensure that the systems being implemented will measure our teachers based on their area of expertise and student growth… music.

ADVERTISEMENT

Robert B. Morrison is the founder of Quadrant Arts Education Research, an arts education research and intelligence organization. In addition to other related pursuits in the field of arts education advocacy, Mr. Morrison has helped create, found, and run Music for All, the VH1 Save The Music Foundation, and, along with Richard Dreyfuss and the late Michael Kaman, the Mr. Holland’s Opus Foundation.

He may be reached directly at bobm@artsedresearch.org.

Tags: student growthstudent outcomesteacher evaluationteacher evaluationsmusic educatorsmusic teachersmusic educationbob morrison
ADVERTISEMENT
Previous Post

‘The Cloud’: Empowering Developing Sight Singers

Next Post

Cincinnati Cinderellas

Next Post

Cincinnati Cinderellas

Please login to join discussion
ADVERTISEMENT
  • June 2025

    Articles | Digital Issue
  • May 2025

    Articles | Digital Issue
  • April 2025

    Articles | Digital Issue
  • March 2025

    Articles | Digital Issue
  • February 2025

    Articles | Digital Issue
© 2005 - 2025 artistpro, LLC
7012 City Center Way, Suite 207
Fairview, Tennessee 37062
(800) 682-8114

No Result
View All Result
  • Subscribe to SBO+
    • Subscribe
    • Login/Manage Subscription
  • Current Issue
    • Past Issues
  • Advertise
  • Teachers’ Choice Awards
  • Columns
    • New Products
    • Travel/Festivals
      • Fundraising
    • UpClose
      • Features
      • Commentary
      • Advocacy
      • MAC Corner
      • Inclusion
      • Milestones
      • MusicEd: Mentor Minute
      • Perspective
      • InService
    • Technology
      • Audio Tech
    • Performance
      • Wind Talkers
      • Percussion
      • GoodVibes
      • Repertoire
      • Playing Tips
      • Modern Band
    • Newsletter Archive
    • Tone Deaf Comics
  • Teacher Nomination
  • Support
    • Email PR!
  • Choral
    • Jazz
    • Modern Band

© 2005 - 2024 artistpro, LLC 7012 City Center Way, Suite 207 Fairview, Tennessee 37062 (800) 682-8114

Wenger EndurAd Promo