• Latest
  • Trending
To ‘daah’ or not to ‘daah’

To ‘daah’ or not to ‘daah’

October 22, 2006
Tone deaf – Decibel Scale

Tone deaf – Decibel Scale

January 29, 2026
Playing with Intent: The Missing Link Between Practice and Confidence

Playing with Intent: The Missing Link Between Practice and Confidence

January 27, 2026
Rovner
French Versus German? The Over/Under on Double Bass Bow Holds

French Versus German? The Over/Under on Double Bass Bow Holds

January 26, 2026
New Products – January 2026

New Products – January 2026

January 23, 2026
Minute Clinic – STUDENT CONDUCTORS

Minute Clinic – STUDENT CONDUCTORS

January 23, 2026
Top Music Education Titles for 2025

Top Music Education Titles for 2025

January 21, 2026
You Can Help Shape a Bold Future

You Can Help Shape a Bold Future

January 20, 2026
An Interview with Jeff Moore About Ralph Hardimon (Santa Clara Vanguard) and ‘Musica Boema”

An Interview with Jeff Moore About Ralph Hardimon (Santa Clara Vanguard) and ‘Musica Boema”

January 19, 2026
Step Up to 2026

Step Up to 2026

January 16, 2026
Principles for Building Stronger Classroom Systems

Principles for Building Stronger Classroom Systems

January 15, 2026
All the Small Moments

All the Small Moments

January 14, 2026
Ask a Conductor

Ask a Conductor

January 13, 2026
Sunday, February 1, 2026
  • Contact
SBO+
Yamaha Pro Audio
  • Subscribe Free!
    • Manage Subscription
  • Departments
    • Choral
    • String Section
      • String Section
    • Concert Band
    • Modern Band
      • Mariachi
    • Orchestra
    • Instruments
      • Woodwinds
        • Wind Talkers
      • Percussion
        • GoodVibes
      • Repertoire
      • Playing Tips
    • Marching Band
    • Resources
      • Fundraising
    • Jazz
    • Brass
    • General Music
    • Advocacy
      • NAfME Neighborhood
      • MAC Corner
      • MusicEd: Mentor Minute
    • Commentary
      • Bubbett’s Bookshelf
      • Leadership Tips
      • Perspective
      • InService
        • America’s Bandmasters
        • America’s Musicians
      • Tone Deaf Comics
    • Features
    • News
      • Headlines
  • Current Issue
    • Past Issues
  • Support
  • Awards/Entries
    • 50 Teachers Who Make a Difference
    • Teachers’ Choice Awards
  • Advertise
    • Email PR!
No Result
View All Result
  • Subscribe Free!
    • Manage Subscription
  • Departments
    • Choral
    • String Section
      • String Section
    • Concert Band
    • Modern Band
      • Mariachi
    • Orchestra
    • Instruments
      • Woodwinds
        • Wind Talkers
      • Percussion
        • GoodVibes
      • Repertoire
      • Playing Tips
    • Marching Band
    • Resources
      • Fundraising
    • Jazz
    • Brass
    • General Music
    • Advocacy
      • NAfME Neighborhood
      • MAC Corner
      • MusicEd: Mentor Minute
    • Commentary
      • Bubbett’s Bookshelf
      • Leadership Tips
      • Perspective
      • InService
        • America’s Bandmasters
        • America’s Musicians
      • Tone Deaf Comics
    • Features
    • News
      • Headlines
  • Current Issue
    • Past Issues
  • Support
  • Awards/Entries
    • 50 Teachers Who Make a Difference
    • Teachers’ Choice Awards
  • Advertise
    • Email PR!
No Result
View All Result
SBO+
No Result
View All Result

To ‘daah’ or not to ‘daah’

byMike Lawson
October 22, 2006
in Playing Tips
0
To ‘daah’ or not to ‘daah’
Share on Facebook
ADVERTISEMENT
ADVERTISEMENT
ADVERTISEMENT

“One of the most common contributions to a non-characteristic brass sound from a young player is the approach to articulation. Many use a ‘default’ articulation, such as ‘poo,’ ‘thaw,’ between the lips ‘pthoo,’ or just a ‘whoo’ with no tongue at all. The easiest ways to identify the style of articulation that a student is using is to have the student ‘air-valve’ (or slide) the musical phrase. Ask the student to play the phrase with no buzz – just air, valve, and tongue. Listen carefully to the syllable sounds that the student produces. It should be a ‘daah’ sound for the normal articulation, or possibly ‘taah’ for an accented note. The other styles of articulation mentioned earlier are generally not successful for good sound quality or accuracy on a brass instrument.”

Steven Holgate
Governor Mifflin Senior High School
Shillington, Penn.

ADVERTISEMENT

You may also like:

The Jazz Saxophonist Learning to Slap Tongue and Flutter Tongue Clarinet: Developing the Optimum Clarinet Tongue Position Figure 1 Correct EmbouchureBeautiful Tone for the New Flutist Take a Deep Breath and Blow, Part 2 Micah EverettTechniques: Demystifying Trombone Legato A Simple Approach
Tags: articulationbrass instrumenttongue
ADVERTISEMENT
Previous Post

The Best and Worst Job in Public Education

Next Post

Selection: Classical Transcriptions for Concert Band

Next Post
UpFront: Planning a Performance

UpFront: Planning a Performance

Please login to join discussion
  • January 2026

    Articles | Digital Issue
  • December 2025

    Articles | Digital Issue
  • November 2025

    Articles | Digital Issue
  • October 2025

    Articles | Digital Issue
  • September 2025

    Articles | Digital Issue
© 2005 - 2026 artistpro, LLC
7012 City Center Way, Suite 207
Fairview, Tennessee 37062
(800) 682-8114

Wenger Endur Music Stand
No Result
View All Result
  • Subscribe Free!
    • Manage Subscription
  • Departments
    • Choral
    • String Section
      • String Section
    • Concert Band
    • Modern Band
      • Mariachi
    • Orchestra
    • Instruments
      • Woodwinds
      • Percussion
      • Repertoire
      • Playing Tips
    • Marching Band
    • Resources
      • Fundraising
    • Jazz
    • Brass
    • General Music
    • Advocacy
      • NAfME Neighborhood
      • MAC Corner
      • MusicEd: Mentor Minute
    • Commentary
      • Bubbett’s Bookshelf
      • Leadership Tips
      • Perspective
      • InService
      • Tone Deaf Comics
    • Features
    • News
      • Headlines
  • Current Issue
    • Past Issues
  • Support
  • Awards/Entries
    • 50 Teachers Who Make a Difference
    • Teachers’ Choice Awards
  • Advertise
    • Email PR!

© 2005 - 2024 artistpro, LLC 7012 City Center Way, Suite 207 Fairview, Tennessee 37062 (800) 682-8114