• Latest
  • Trending
Happy New Year?

No Easy Answers

October 28, 2020
Five Competencies You Need (And Probably Weren’t Taught)

Five Competencies You Need (And Probably Weren’t Taught)

April 8, 2026
Five Competencies You Need (And Probably Weren’t Taught)

Five Competencies You Need (And Probably Weren’t Taught)

April 8, 2026
ADVERTISEMENT
2026 Virtual String Teachers Summit

2026 Virtual String Teachers Summit

April 7, 2026
Directors Need Summer Camp Too

Directors Need Summer Camp Too

April 6, 2026
Recharge, Reconnect, Reignite: Inside the Conn Selmer Institute (CSI) National Event

Recharge, Reconnect, Reignite: Inside the Conn Selmer Institute (CSI) National Event

April 3, 2026
The Start of an Era

The Start of an Era

April 6, 2026
New Products

New Products

April 1, 2026
Minute Clinic

Minute Clinic

April 1, 2026
Music, Art, and Awe

Music, Art, and Awe

March 26, 2026
Principles for Building Stronger Classroom Systems

Principles for Building Stronger Classroom Systems

March 24, 2026
How a Long-Term Vision Can Transform Your Ensemble

How a Long-Term Vision Can Transform Your Ensemble

March 23, 2026
Performance Practices for the Concert March

Performance Practices for the Concert March

March 20, 2026
Wednesday, April 8, 2026
  • Contact
SBO+
  • Advertise
  • Subscribe Free!
    • Manage Subscription
  • Departments
    • Choral
    • String Section
      • String Section
    • Concert Band
    • Modern Band
      • Mariachi
    • Orchestra
    • Instruments
      • Woodwinds
        • Wind Talkers
      • Percussion
        • GoodVibes
      • Repertoire
      • Playing Tips
    • Marching Band
    • Resources
      • Fundraising
    • Jazz
    • Brass
    • General Music
    • Advocacy
      • NAfME Neighborhood
      • MAC Corner
      • MusicEd: Mentor Minute
    • Commentary
      • Bubbett’s Bookshelf
      • Leadership Tips
      • Perspective
      • InService
        • America’s Bandmasters
        • America’s Musicians
      • Tone Deaf Comics
    • Features
    • News
      • Headlines
  • Current Issue
    • Past Issues
  • Support
  • Awards/Entries
    • 50 Music Teachers who Make a Difference
    • Teachers’ Choice Awards Nominations
No Result
View All Result
  • Advertise
  • Subscribe Free!
    • Manage Subscription
  • Departments
    • Choral
    • String Section
      • String Section
    • Concert Band
    • Modern Band
      • Mariachi
    • Orchestra
    • Instruments
      • Woodwinds
        • Wind Talkers
      • Percussion
        • GoodVibes
      • Repertoire
      • Playing Tips
    • Marching Band
    • Resources
      • Fundraising
    • Jazz
    • Brass
    • General Music
    • Advocacy
      • NAfME Neighborhood
      • MAC Corner
      • MusicEd: Mentor Minute
    • Commentary
      • Bubbett’s Bookshelf
      • Leadership Tips
      • Perspective
      • InService
        • America’s Bandmasters
        • America’s Musicians
      • Tone Deaf Comics
    • Features
    • News
      • Headlines
  • Current Issue
    • Past Issues
  • Support
  • Awards/Entries
    • 50 Music Teachers who Make a Difference
    • Teachers’ Choice Awards Nominations
No Result
View All Result
SBO+
No Result
View All Result

No Easy Answers

October 28, 2020
byMike Lawson
in Perspective
Share on Facebook
AFAG Messen und Ausstellungen GmbH
ADVERTISEMENT
By SBO+ Staff

I don’t have any. This year sucks. It’s knocked the wind out of a lot of musicians, students, teachers, parents, and all things related. There is no national standard to follow, it’s a mess state by state times 50.

This plague is impacting lots of kids today and the motivations they may even have for being at school, or not, as the case may be. I’m lurking in a lot of social media music educator groups to try to take the pulse nationwide of what is going on for teaching music programs, and frankly, it’s ugly. There is no standard to teach these standards outside of a structured classroom, every teacher is experiencing something different it seems, from the extreme of being fired and no programs being taught, to kids performing in what some are calling less-than-favorable safety circumstances.

When this hit last March, it was easy to see the coming train wreck this fall for school in general, but in particular with an airborne virus. From the outside looking in, this is what I’m seeing. You are working harder than ever to support these students, in distance, blended, and even in person classes. Some of you have very little personal protection and have to go to work anyway and hope for the best, that you don’t get sick or carry the COVID-19 virus home to a loved one. Some of you have gotten sick. Some of you have had school open and shut down within weeks. You’re dealing with angry parents, administrations that think you’re suddenly an audio engineer and video producer. It’s often driven by the political leanings of the administration with magical, wishful thinking that children can’t get this, or don’t spread it, or that it will just go away on its own. Again, it’s a mess. A big, hot, horrible mess.

Music is a “contact sport.” It requires participation with others in most cases. And that is what makes this so difficult. On the plus side, if there is one, in this issue you will read about a very workable potential solution for music over the Internet (I know, you’re so sick of these online solutions). JackTrip Foundation, JamKazam, RMS, and others I have written about offer ways for music programs to continue, if your student has the hardware and internet access.

But we get back to the age-old issue of the haves and have nots. So, if you’re blessed to be in a “haves” school where the hardware and wired internet connection are a given, it’s a great solution. If you are not and have a large Title I population, where socio-economic uncertainties and related factors make this a challenge, it won’t solve one aspect of the bigger problem which is this: it really isn’t that safe to perform in large groups indoors right now, without all kinds of accommodations to at least lower the risk, but not eliminate them.

We are there with you, striving to be optimistic and gathering the best content we can to help you get through this, and recognize what a struggle this is for you and your students. I am eager to hear from you, on or off the record, about what is and is not working, trouble you’re having, or how you are making it work against all odds in 2020.

 

You may also like:

SBO Presents The 19th Annual 50 Directors Who Make A Difference Report: 50 Directors SBO Presents the 21st Annual 50 Directors Who Make a Difference SBO Presents the 18th Annual 50 Directors Who Make A Difference Report 2012 ’50 Directors Who Make a Difference’ Report
Sweetwater
ADVERTISEMENT
Rovner
ADVERTISEMENT

POPULAR STORY

  • New Products December 2025

    New Products December 2025

    1786 shares
    Share 714 Tweet 447
  • Holiday Gift Guide for Music Businesses: Tools to Boost Engagement and Growth

    1712 shares
    Share 685 Tweet 428
  • 50 Music Teachers Who Make a Difference

    1411 shares
    Share 564 Tweet 353
  • When Selecting New Choral Music, Choose Success

    1299 shares
    Share 520 Tweet 325
  • 2025 Teachers’ Choice Award Winners

    1185 shares
    Share 474 Tweet 296
Godlyke Inc.
ADVERTISEMENT

SchoolMusic.Travel

No articles found.
Next Post
The Band Hall Uniforms

Performance Based Assessments: Enhancing Effectiveness

  • April 2026

    Articles | Digital Issue
  • March 2026

    Articles | Digital Issue
  • February 2026

    Articles | Digital Issue
  • January 2026

    Articles | Digital Issue
  • December 2025

    Articles | Digital Issue
© 2005 - 2026 artistpro, LLC
7012 City Center Way, Suite 207
Fairview, Tennessee 37062
(800) 682-8114

No Result
View All Result
  • Advertise
  • Subscribe Free!
    • Manage Subscription
  • Departments
    • Choral
    • String Section
      • String Section
    • Concert Band
    • Modern Band
      • Mariachi
    • Orchestra
    • Instruments
      • Woodwinds
      • Percussion
      • Repertoire
      • Playing Tips
    • Marching Band
    • Resources
      • Fundraising
    • Jazz
    • Brass
    • General Music
    • Advocacy
      • NAfME Neighborhood
      • MAC Corner
      • MusicEd: Mentor Minute
    • Commentary
      • Bubbett’s Bookshelf
      • Leadership Tips
      • Perspective
      • InService
      • Tone Deaf Comics
    • Features
    • News
      • Headlines
  • Current Issue
    • Past Issues
  • Support
  • Awards/Entries
    • 50 Music Teachers who Make a Difference
    • Teachers’ Choice Awards Nominations

© 2005 - 2024 artistpro, LLC 7012 City Center Way, Suite 207 Fairview, Tennessee 37062 (800) 682-8114

Wenger Transcend Ad
Wenger Transcend Ad