• Latest
  • Trending

Respond and Connect to the Music for Lifelong Music Appreciation

August 2, 2022
What Makes a Truly Great Student Travel Experience

What Makes a Truly Great Student Travel Experience

February 17, 2026
Transformative Travel: How the Right Music Tour Partner Elevates Student Learning

Transformative Travel: How the Right Music Tour Partner Elevates Student Learning

February 17, 2026
UpClose-4

UpClose-4

February 14, 2026
Your Perfect Fit: How to Choose a Travel Provider

Your Perfect Fit: How to Choose a Travel Provider

February 17, 2026
Perspective

Perspective

February 12, 2026
Headlines

Headlines

February 12, 2026
Teachers’ Choice Winners at the NAMM Show

Teachers’ Choice Winners at the NAMM Show

February 7, 2026
Tone deaf – Decibel Scale

Tone deaf – Decibel Scale

January 29, 2026
Playing with Intent: The Missing Link Between Practice and Confidence

Playing with Intent: The Missing Link Between Practice and Confidence

January 27, 2026
French Versus German? The Over/Under on Double Bass Bow Holds

French Versus German? The Over/Under on Double Bass Bow Holds

January 26, 2026
New Products – January 2026

New Products – January 2026

January 23, 2026
Minute Clinic – STUDENT CONDUCTORS

Minute Clinic – STUDENT CONDUCTORS

January 23, 2026
Tuesday, February 17, 2026
  • Contact
SBO+
  • Advertise
  • Subscribe Free!
    • Manage Subscription
  • Departments
    • Choral
    • String Section
      • String Section
    • Concert Band
    • Modern Band
      • Mariachi
    • Orchestra
    • Instruments
      • Woodwinds
        • Wind Talkers
      • Percussion
        • GoodVibes
      • Repertoire
      • Playing Tips
    • Marching Band
    • Resources
      • Fundraising
    • Jazz
    • Brass
    • General Music
    • Advocacy
      • NAfME Neighborhood
      • MAC Corner
      • MusicEd: Mentor Minute
    • Commentary
      • Bubbett’s Bookshelf
      • Leadership Tips
      • Perspective
      • InService
        • America’s Bandmasters
        • America’s Musicians
      • Tone Deaf Comics
    • Features
    • News
      • Headlines
  • Current Issue
    • Past Issues
  • Support
  • Awards/Entries
    • 50 Teachers Who Make a Difference
    • Teachers’ Choice Awards
No Result
View All Result
  • Advertise
  • Subscribe Free!
    • Manage Subscription
  • Departments
    • Choral
    • String Section
      • String Section
    • Concert Band
    • Modern Band
      • Mariachi
    • Orchestra
    • Instruments
      • Woodwinds
        • Wind Talkers
      • Percussion
        • GoodVibes
      • Repertoire
      • Playing Tips
    • Marching Band
    • Resources
      • Fundraising
    • Jazz
    • Brass
    • General Music
    • Advocacy
      • NAfME Neighborhood
      • MAC Corner
      • MusicEd: Mentor Minute
    • Commentary
      • Bubbett’s Bookshelf
      • Leadership Tips
      • Perspective
      • InService
        • America’s Bandmasters
        • America’s Musicians
      • Tone Deaf Comics
    • Features
    • News
      • Headlines
  • Current Issue
    • Past Issues
  • Support
  • Awards/Entries
    • 50 Teachers Who Make a Difference
    • Teachers’ Choice Awards
No Result
View All Result
SBO+
No Result
View All Result

Respond and Connect to the Music for Lifelong Music Appreciation

August 2, 2022
in Archives, Wind Talkers, August 2022
0
Share on Facebook
ADVERTISEMENT

The National Standards for Music Education were put into place to help ensure all students receive varied and robust experiences in their training.  Each standard is broken into strands, representing specific components of each of the artistic processes of performing, creating, responding, and connecting.  While the goal of the 2014 standards was to promote literacy in the arts, there are various ways in which students can engage within the artistic processes. I want us to focus on the “respond” and “connect” standards and how those deepen students’ understanding of and relationship to the music.

When students respond to music, they are learning to understand and evaluate how the arts convey meaning for the listener.   In connecting to music, students form ideas about how music can create personal meaning or relate to external contexts.  Unfortunately, many of our graduates will step away from active music making after their high school experiences, losing regular opportunities to perform and actively create music.  For this reason, it is imperative we help students form a path toward understanding the arts that is both deep and meaningful, allowing them to forge a connection with music that will endure long after they leave our classrooms, rehearsal spaces, and concert halls.  This is where the “respond” and “connect” standards serve as a gateway to lifelong appreciation and support of music. 

The “respond” standard offers three strands for engaging students with music.  These include offering opportunities to “perceive and analyze artistic work” (anchor standard 7), “interpret intent and meaning in artistic work” (anchor standard 8), and “apply criteria to evaluate artistic work” (anchor standard 9).  Affording students opportunities to respond to music helps to give them a vocabulary to describe what they hear, an opportunity for their perceptions to be honed, and a space for personal judgements to be considered.  In the “connect” standard, the strands include providing space to “synthesize and relate knowledge and personal experiences to make art” (anchor standard 10), and the ability to “relate artistic ideas and works with societal, cultural, and historical context to deepen understanding” (anchor standard 11).   Within the connect standard, we help the student “open a window to their soul” by relating music to personal experiences, as well as to consider the roles and functions of the art of music within society. 

ADVERTISEMENT

The national standards are published with a list of essential questions to help guide lessons related to the respond and connect standards.  This list is by no means exhaustive, but offers a glimpse into ways educators can help students listen and think more critically about music:

ADVERTISEMENT

Respond:

  • What qualities (musical, historical, personal) make this work have lasting value?
  • How is this music balanced (or unbalanced)?  What does the composer do to affect this perception?  How do I apply balance in my own life?
  • How do my interests and values influence my tastes and preferences?
  • How does this composition make you feel, and what specific aspects of the music contribute to this feeling?
  • What does the composer do to create energy in the music? Similarly, what can I do to create energy in my life?
  • What was the composer’s intent for this music, and in what ways did they achieve this?
  • Where would I want to hear this music, and why?
  • Whom would I like to share this music with, and why?

Connect:

  • What world events helped to shape this piece of music?  How did this affect the work?
  • What is significant about this piece of music and why?
  • How does the story behind this work parallel events in modern society?
  • What can I learn about others through this piece of music?
  • In the ensemble, I play an integral part to the whole. In what ways does this parallel my position in my community, and in what ways can I contribute?
  • Does this work relate to any personal memories or experiences?  How so?

When we help our students realize personal meaning in music, they will be able to engage with it far beyond their last formal school music experience.  These standards bring affective learning opportunities into the classroom, encouraging students to develop themselves in complex ways and through creating personal meaning.  Recognizing music as a continued and valued presence in our lives and society is what keeps community music thriving, audiences in our concert halls, and taxpayers supporting school music programs.  It is up to the professional music educator to respond to this challenge and connect our students with a deep appreciation for all that music brings to the world. 

ADVERTISEMENT

Christine Carucci currently teaches orchestra for the Boardman (OH) Local Schools and serves as an online learning specialist for Lisa’s Clarinet Shop.  She can be contacted at christineacarucci@gmail.com.

You may also like:

The 22nd Annual 50 Directors Who Make a Difference SBO Presents the 21st Annual 50 Directors Who Make a Difference 2012 ’50 Directors Who Make a Difference’ Report 50 Music Teachers Who Make a Difference SBO Presents The 19th Annual 50 Directors Who Make A Difference
ADVERTISEMENT
Previous Post

Tone Deaf Comics

Next Post

Inclusive Student Leadership – Making it a Reality

Next Post

Inclusive Student Leadership - Making it a Reality

Please login to join discussion
ADVERTISEMENT
  • February 2026

    Articles | Digital Issue
  • January 2026

    Articles | Digital Issue
  • December 2025

    Articles | Digital Issue
  • November 2025

    Articles | Digital Issue
  • October 2025

    Articles | Digital Issue
© 2005 - 2026 artistpro, LLC
7012 City Center Way, Suite 207
Fairview, Tennessee 37062
(800) 682-8114

No Result
View All Result
  • Advertise
  • Subscribe Free!
    • Manage Subscription
  • Departments
    • Choral
    • String Section
      • String Section
    • Concert Band
    • Modern Band
      • Mariachi
    • Orchestra
    • Instruments
      • Woodwinds
      • Percussion
      • Repertoire
      • Playing Tips
    • Marching Band
    • Resources
      • Fundraising
    • Jazz
    • Brass
    • General Music
    • Advocacy
      • NAfME Neighborhood
      • MAC Corner
      • MusicEd: Mentor Minute
    • Commentary
      • Bubbett’s Bookshelf
      • Leadership Tips
      • Perspective
      • InService
      • Tone Deaf Comics
    • Features
    • News
      • Headlines
  • Current Issue
    • Past Issues
  • Support
  • Awards/Entries
    • 50 Teachers Who Make a Difference
    • Teachers’ Choice Awards

© 2005 - 2024 artistpro, LLC 7012 City Center Way, Suite 207 Fairview, Tennessee 37062 (800) 682-8114

Wenger Transcend Ad
Wenger Transcend Ad